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  <title>... fleeing</title>
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  <updated>2012-02-04T19:54:05Z</updated>
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    <name>... fleeing List Owner</name>
     
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  <entry>
    <title> The Future of THE PUBLIC SCHOOL BERLIN
</title>
    <link rel="alternate" href="http://thepublicschool.org/cgi-bin/dada/mail.cgi/archive/fleeing/20100913075004/"/>
    <id>tag:thepublicschool.org,2010-09-13:%2Fcgi-bin%2Fdada%2Fmail.cgi%2Farchive%2Ffleeing%2F20100913075004%2F</id>
    
    <published>2010-09-13T07:50:04Z</published>
    <updated>2010-09-13T07:50:04Z</updated>
    <content type="html">


&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; line-height: 14px; font: normal normal normal 12px/normal 'Helvetica Neue'; &quot;&gt;&lt;img id=&quot;47d82f75-d33b-4da8-b9db-f69767557647&quot; height=&quot;500&quot; width=&quot;500&quot; apple-width=&quot;yes&quot; apple-height=&quot;yes&quot; src=&quot;http://thepublicschool.org/cgi-bin/dada/mail.cgi?f=show_img&amp;l=fleeing&amp;id=20100913075004&amp;cid=18E42F38-E9D4-463D-A5C1-8EC316DE825F&quot;&gt;&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; line-height: 14px; font: normal normal normal 12px/normal 'Helvetica Neue'; &quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; line-height: 14px; font: normal normal normal 12px/normal 'Helvetica Neue'; &quot;&gt;We are excited to announce the opening of&amp;#160;&lt;a href=&quot;http://berlin.thepublicschool.org/&quot;&gt;&lt;b&gt;THE PUBLIC SCHOOL BERLIN&lt;/b&gt;&lt;/a&gt;. On 18 September at 19:00 we will hold an event at&amp;#160;&lt;a href=&quot;http://www.programonline.de&quot;&gt;Program&lt;/a&gt;&amp;#160;called&amp;#160;&lt;a href=&quot;http://berlin.thepublicschool.org/class/2779&quot;&gt;&lt;b&gt;&lt;i&gt;The Future of THE PUBLIC SCHOOL BERLIN&lt;/i&gt;&lt;/b&gt;&lt;/a&gt;.&amp;#160;&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; line-height: 14px; font: normal normal normal 12px/normal 'Helvetica Neue'; min-height: 14px; &quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; line-height: 14px; font: normal normal normal 12px/normal 'Helvetica Neue'; &quot;&gt;Earlier this summer THE PUBLIC SCHOOL organized a 13-day seminar in Berlin, &lt;b&gt;&lt;i&gt;There is nothing less passive than the act of fleeing… &lt;/i&gt;&lt;/b&gt;The seminar, meeting each day at a different location in Berlin, took the form of an open reading group, where the texts discussed each day resonated with the site selected. Please visit the project web site for more information on our activities and discussion topics:&amp;#160;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Helvetica; font-size: medium; &quot;&gt;&lt;a href=&quot;http://thepublicschool.org/thereisnothinglesspassive/thantheactoffleeing.html&quot;&gt;http://thepublicschool.org/thereisnothinglesspassive/thantheactoffleeing.html&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; line-height: 14px; font: normal normal normal 12px/normal 'Helvetica Neue'; min-height: 14px; &quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; line-height: 14px; font: normal normal normal 12px/normal 'Helvetica Neue'; &quot;&gt;*****&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; line-height: 14px; font: normal normal normal 12px/normal 'Helvetica Neue'; min-height: 14px; &quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; line-height: 14px; font: normal normal normal 12px/normal 'Helvetica Neue'; min-height: 14px; &quot;&gt;THE PUBLIC SCHOOL is a school with no curriculum. At the moment, it operates as follows: first, classes are proposed by the public (I want to learn this or I want to teach this); then, people have the opportunity to sign up for the classes (I also want to learn that); finally, when enough people have expressed interest, the school finds a facilitator and offers the class to those who signed up.&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; line-height: 14px; font: normal normal normal 12px/normal 'Helvetica Neue'; min-height: 14px; &quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; line-height: 14px; font: normal normal normal 12px/normal 'Helvetica Neue'; &quot;&gt;THE PUBLIC SCHOOL is not accredited, it does not give out degrees, and it has no affiliation with the public school system. It is a framework that supports autodidactic activities, operating under the assumption that everything is in everything.&amp;#160;&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; line-height: 14px; font: normal normal normal 12px/normal 'Helvetica Neue'; min-height: 14px; &quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; line-height: 14px; font: normal normal normal 12px/normal 'Helvetica Neue'; &quot;&gt;THE PUBLIC SCHOOL was started in 2007 in Los Angeles by&amp;#160;&lt;a href=&quot;http://telic.info&quot;&gt;Telic Arts Exchange&lt;/a&gt;.&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; line-height: 14px; font: normal normal normal 12px/normal 'Helvetica Neue'; min-height: 14px; &quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; line-height: 14px; font: normal normal normal 12px/normal 'Helvetica Neue'; &quot;&gt;*****&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; line-height: 14px; font: normal normal normal 12px/normal 'Helvetica Neue'; min-height: 14px; &quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; line-height: 14px; font: normal normal normal 12px/normal 'Helvetica Neue'; &quot;&gt;There will be several things that take place at&amp;#160;&lt;a href=&quot;http://berlin.thepublicschool.org/class/2779&quot;&gt;&lt;b&gt;&lt;i&gt;The Future of THE PUBLIC SCHOOL BERLIN&lt;/i&gt;&lt;/b&gt;&lt;/a&gt;:&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; line-height: 14px; font: normal normal normal 12px/normal 'Helvetica Neue'; min-height: 14px; &quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; line-height: 14px; font: normal normal normal 12px/normal 'Helvetica Neue'; &quot;&gt;1. A committee member of the THE PUBLIC SCHOOL LOS ANGELES will briefly discuss its history and how it operates.&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; line-height: 14px; font: normal normal normal 12px/normal 'Helvetica Neue'; &quot;&gt;2. We will have a discussion about how the school could work here and what shape(s) it could take.&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; line-height: 14px; font: normal normal normal 12px/normal 'Helvetica Neue'; &quot;&gt;3. We will create class proposals.&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; line-height: 14px; font: normal normal normal 12px/normal 'Helvetica Neue'; &quot;&gt;4. We will talk some more!&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; line-height: 14px; font: normal normal normal 12px/normal 'Helvetica Neue'; min-height: 14px; &quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; line-height: 14px; font: normal normal normal 12px/normal 'Helvetica Neue'; &quot;&gt;Please join us to find out more about the school and find ways that you can participate, including joining the committee (D.A.N.) to help run the school here.&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; line-height: 14px; font: normal normal normal 12px/normal 'Helvetica Neue'; min-height: 14px; &quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; line-height: 14px; font: normal normal normal 12px/normal 'Helvetica Neue'; &quot;&gt;If you have questions please get in touch. Also, please sign up for an account&amp;#160;&lt;a href=&quot;http://berlin.thepublicschool.org/register?destination=home&quot;&gt;here&lt;/a&gt;&amp;#160;and afterwards try&amp;#160;&lt;a href=&quot;http://berlin.thepublicschool.org&quot;&gt;proposing&lt;/a&gt;&amp;#160;some classes. To see the activities happening at the other schools, please visit&amp;#160;&lt;a href=&quot;http://all.thepublicschool.org/classes&quot;&gt;here&lt;/a&gt;.&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; line-height: 14px; font: normal normal normal 12px/normal 'Helvetica Neue'; min-height: 14px; &quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; line-height: 14px; font: normal normal normal 12px/normal 'Helvetica Neue'; &quot;&gt;Look forward to seeing you all this weekend!&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; line-height: 14px; font: normal normal normal 12px/normal 'Helvetica Neue'; min-height: 14px; &quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; line-height: 14px; font: normal normal normal 12px/normal 'Helvetica Neue'; &quot;&gt;&lt;b&gt;WHAT:&amp;#160;&lt;/b&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Helvetica; font-size: medium; &quot;&gt;&lt;a href=&quot;http://berlin.thepublicschool.org/class/2779&quot;&gt;&lt;b&gt;The Future of THE PUBLIC SCHOOL BERLIN&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; line-height: 14px; font: normal normal normal 12px/normal 'Helvetica Neue'; &quot;&gt;&lt;b&gt;WHERE: PROGRAM, Invalidenstrasse 115&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; line-height: 14px; font: normal normal normal 12px/normal 'Helvetica Neue'; &quot;&gt;&lt;b&gt;WHEN: 18 SEPTEMBER 19:00 HR&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 12px/normal 'Helvetica Neue'; min-height: 14px; &quot;&gt;&lt;b&gt;&lt;br&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; line-height: 14px; font: normal normal normal 12px/normal 'Helvetica Neue'; min-height: 14px; &quot;&gt;&lt;br&gt;&lt;/div&gt;
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  <entry>
    <title> Friday, 16 July, &#34;Who Cares?&#34;
</title>
    <link rel="alternate" href="http://thepublicschool.org/cgi-bin/dada/mail.cgi/archive/fleeing/20100715152503/"/>
    <id>tag:thepublicschool.org,2010-07-15:%2Fcgi-bin%2Fdada%2Fmail.cgi%2Farchive%2Ffleeing%2F20100715152503%2F</id>
    
    <published>2010-07-15T15:25:03Z</published>
    <updated>2010-07-15T15:25:03Z</updated>
    <content type="html">


&lt;div&gt;&quot;Who Cares?&quot;&amp;#160;&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;Hi everyone,&amp;#160;&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;We just sent out invites to the final day of the reading group/dinner event. Many of you said that you wished to come, but unfortunately we have very little space to accommodate everyone. We invited those who had participated in the seminar on multiple days. That being said, if you came to three or four days of the reading group and did not get an invite, please get in touch asap and we'll put you on the list.&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;For those who didn't get the invitation, please still come to Appartment at 21:30h when&amp;#160; the doors will be open to all for a Triple Canopy event:&amp;#160;Sound by&amp;#160;Jacob Kirkegaard (&lt;a href=&quot;http://fonik.dk/&quot;&gt;http://fonik.dk/&lt;/a&gt;), installation by curatorial collective&amp;#160;10-2-10 (&lt;a href=&quot;http://www.tentwoten.info/&quot;&gt;http://www.tentwoten.info/&lt;/a&gt;), performance by&amp;#160;Per-Oskar Leu (&lt;a href=&quot;http://peroskarleu.com/splash.html&quot;&gt;http://peroskarleu.com/splash.html&lt;/a&gt;) with Triple Canopy editorial and program manager Peter J. Russo, music by&amp;#160;Hush Hush (&lt;a href=&quot;http://www.myspace.com/therealhushmoney&quot;&gt;http://www.myspace.com/therealhushmoney&lt;/a&gt;) and&amp;#160;Easton West (&lt;a href=&quot;http://www.highculturelowclass.com/&quot;&gt;http://www.highculturelowclass.com/&lt;/a&gt;).&amp;#160;&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;Also, just a reminder that on Sunday we'll be doing:&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: arial; font-size: 12px; line-height: 16px; &quot;&gt;&lt;div id=&quot;header_39797&quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;div id=&quot;header_39797&quot;&gt;&lt;br&gt;&lt;/div&gt;&lt;div id=&quot;header_39797&quot;&gt;THE PUBLIC SCHOOL hosted by THE OFFICE&lt;br&gt;&lt;br&gt;&lt;/div&gt;&lt;div id=&quot;header_39797&quot;&gt;----------------------------------------------------&lt;/div&gt;&lt;div id=&quot;header_39797&quot;&gt;&lt;br&gt;&lt;div id=&quot;article_opening&quot;&gt;&lt;span style=&quot;font-weight: bold; &quot;&gt;If it happens, it happens. If it doesn't, it doesn't&lt;/span&gt;&lt;br&gt;&lt;br&gt;&lt;/div&gt;&lt;div id=&quot;article_opening&quot;&gt;Sunday, July 18, 6 pm.&lt;/div&gt;&lt;div id=&quot;article_opening&quot;&gt;Salon Populaire, Bülowstr. 90, 10783 Berlin&lt;br&gt;Limited admission. Please RSVP to&amp;#160;&lt;a href=&quot;mailto:&amp;#x72;&amp;#x73;&amp;#118;&amp;#112;&amp;#64;&amp;#116;&amp;#104;&amp;#101;&amp;#111;&amp;#x66;&amp;#102;&amp;#105;&amp;#x63;&amp;#x65;&amp;#46;&amp;#108;&amp;#105;&quot; onclick=&quot;window.open(this.href); return false;&quot;&gt;&amp;#x72;&amp;#x73;&amp;#118;&amp;#112;&amp;#64;&amp;#116;&amp;#104;&amp;#101;&amp;#111;&amp;#x66;&amp;#102;&amp;#105;&amp;#x63;&amp;#x65;&amp;#46;&amp;#108;&amp;#105;&lt;/a&gt;&lt;br&gt;&lt;br&gt;The Public School will complete its seminar, &quot;There is nothing less passive than the act of fleeing&quot; with an evening conversation to be held in collaboration with THE OFFICE at Salon Populaire.&lt;br&gt;&lt;br&gt;There will be no prepared remarks, no program, no introduction or concluding statement. But there will be questions: questions generated from the seminar discussions, questions about the project as a whole, questions that you bring, or questions you have when you arrive (from &quot;Can we really escape?&quot; to &quot;Who cares?&quot; and beyond). The evening's conversation will simply be our collective attempt to answer, contest, explain, and expand these questions.&lt;br&gt;&lt;br&gt;We invite you to send questions in advance to this email address&amp;#160;&lt;a href=&quot;mailto:&amp;#116;&amp;#104;&amp;#x65;&amp;#x72;&amp;#101;&amp;#105;&amp;#x73;&amp;#x6E;&amp;#111;&amp;#x74;&amp;#x68;&amp;#105;&amp;#110;&amp;#x67;&amp;#108;&amp;#x65;&amp;#x73;&amp;#115;&amp;#112;&amp;#x61;&amp;#115;&amp;#x73;&amp;#105;&amp;#x76;&amp;#x65;&amp;#x40;&amp;#x67;&amp;#109;&amp;#x61;&amp;#105;&amp;#108;&amp;#x2E;&amp;#99;&amp;#111;&amp;#x6D;&quot; onclick=&quot;window.open(this.href); return false;&quot;&gt;&amp;#116;&amp;#104;&amp;#x65;&amp;#x72;&amp;#101;&amp;#105;&amp;#x73;&amp;#x6E;&amp;#111;&amp;#x74;&amp;#x68;&amp;#105;&amp;#110;&amp;#x67;&amp;#108;&amp;#x65;&amp;#x73;&amp;#115;&amp;#112;&amp;#x61;&amp;#115;&amp;#x73;&amp;#105;&amp;#x76;&amp;#x65;&amp;#x40;&amp;#x67;&amp;#109;&amp;#x61;&amp;#105;&amp;#108;&amp;#x2E;&amp;#99;&amp;#111;&amp;#x6D;&lt;/a&gt;&amp;#160;or bring some with you.&amp;#160;&lt;br&gt;&lt;br&gt;Please join us for what we hope will be a cathartic conclusion to this project by The Public School.&amp;#160;&lt;br&gt;&lt;br&gt;Also, there will be some food and plenty of drinks!&amp;#160;&lt;br&gt;&lt;br&gt;----------------------------------------------------&lt;br&gt;&lt;br&gt;&lt;/div&gt;&lt;/div&gt;&lt;div id=&quot;article_index&quot;&gt;THE PUBLIC SCHOOL - There is nothing less passive than the act of fleeing....&lt;br&gt;THE OFFICE&lt;br&gt;&lt;br&gt;----------------------------------------------------&lt;br&gt;&lt;br&gt;&lt;/div&gt;&lt;div id=&quot;article_list&quot;&gt;&lt;div name=&quot;article&quot; id=&quot;article_39814&quot; style=&quot;width: 530px; &quot;&gt;&lt;div name=&quot;article_body&quot; id=&quot;article_body_39814&quot; style=&quot;width: 530px; &quot;&gt;&lt;span style=&quot;font-weight: bold; &quot;&gt;THE PUBLIC SCHOOL - There is nothing less passive than the act of fleeing.&lt;/span&gt;&lt;br&gt;The Public School is organizing a 13-day seminar, meeting each day at a different location in Berlin. This seminar takes the form of an open reading group, where the texts discussed each day resonate with the site selected.&amp;#160;&lt;br&gt;Deadlock: perpetual war, failing economies, the crumbling of education, capitalist realism, our environment in ruin, hostility everywhere.&lt;br&gt;Resistance? Confrontation? Insurrection?&lt;br&gt;Exodus: silence, autonomy, occupation, withdrawl, invisibility, friendship.&amp;#160;&lt;a href=&quot;http://www.thepublicschool.org/thereisnothinglesspassive/thantheactoffleeing.html&quot; onclick=&quot;window.open(this.href); return false;&quot;&gt;www.thepublicschool.org/the...&lt;/a&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;THE PUBLIC SCHOOL is a school with no curriculum. At the moment, it operates as follows: first, classes are proposed by the public (I want to learn this or I want to teach this); then, people have the opportunity to sign up for the classes (I also want to learn that); finally, when enough people have expressed interest, the school finds a teacher and offers the class to those who signed up.&lt;br&gt;THE PUBLIC SCHOOL is not accredited, it does not give out degrees, and it has no affiliation with the public school system. It is a framework that supports autodidactic activities, operating under the assumption that everything is in everything.&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;/div&gt;&lt;/div&gt;&lt;div name=&quot;article&quot; id=&quot;article_39815&quot; style=&quot;width: 530px; &quot;&gt;&lt;div name=&quot;article_body&quot; id=&quot;article_body_39815&quot; style=&quot;width: 530px; &quot;&gt;&lt;span style=&quot;font-weight: bold; &quot;&gt;THE OFFICE&lt;/span&gt;&lt;br&gt;THE OFFICE seeks to create, facilitate and produce projects of contemporary culture. Based in Berlin, THE OFFICE does not dispose of a permanent location - neither in the city itself nor does it limit its activities to a particular place.&amp;#160;&lt;br&gt;THE OFFICE wants flexibility and reacts to the city's changes and development, and each project's specific necessities. The goal is to re-discover the city, to channel and transmit information, and provide space for discursive thinking in constantly changing settings.&lt;br&gt;&lt;br&gt;THE OFFICE explores collaboration and experimentation for artists, curators, writers and other cultural producers. It is a network for receiving and developing projects, inventing and testing formats, while surrendering to the risk of failure. THE OFFICE insists on independency while gathering forces to work together on temporary ventures into the arts.&amp;#160;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;/div&gt;&lt;/div&gt;----------------------------------------------------&lt;br&gt;&lt;br&gt;&lt;/div&gt;&lt;div name=&quot;footer&quot; id=&quot;article_39800&quot;&gt;&lt;a href=&quot;http://thepublicschool.org/&quot; onclick=&quot;window.open(this.href); return false;&quot;&gt;thepublicschool.org/&lt;/a&gt;&lt;br&gt;&lt;a href=&quot;mailto:&amp;#111;&amp;#x66;&amp;#x66;&amp;#105;&amp;#99;&amp;#x65;&amp;#x40;&amp;#116;&amp;#x68;&amp;#x65;&amp;#x6F;&amp;#102;&amp;#x66;&amp;#x69;&amp;#x63;&amp;#101;&amp;#x2E;&amp;#108;&amp;#105;&quot; onclick=&quot;window.open(this.href); return false;&quot;&gt;&amp;#111;&amp;#x66;&amp;#x66;&amp;#105;&amp;#99;&amp;#x65;&amp;#x40;&amp;#116;&amp;#x68;&amp;#x65;&amp;#x6F;&amp;#102;&amp;#x66;&amp;#x69;&amp;#x63;&amp;#101;&amp;#x2E;&amp;#108;&amp;#105;&lt;/a&gt;&lt;br&gt;&lt;a href=&quot;http://www.theoffice.li/&quot;&gt;www.theoffice.li&lt;/a&gt;&lt;br&gt;&lt;/div&gt;&lt;br&gt;----------------------------------------------------&lt;/span&gt;&lt;/div&gt;



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  <entry>
    <title> Re: Thursday, 15 July, Invisible Man and Ready-Made Artist and Human Strike
</title>
    <link rel="alternate" href="http://thepublicschool.org/cgi-bin/dada/mail.cgi/archive/fleeing/20100715052002/"/>
    <id>tag:thepublicschool.org,2010-07-15:%2Fcgi-bin%2Fdada%2Fmail.cgi%2Farchive%2Ffleeing%2F20100715052002%2F</id>
    
    <published>2010-07-15T05:20:02Z</published>
    <updated>2010-07-15T05:20:02Z</updated>
    <content type="html">&lt;p&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Just came to my mind a place connected to today's readings.&lt;br /&gt;
&lt;br /&gt;
In front of Grill Royal, the posh restaurant of the Berlin jet set &lt;br /&gt;
and fashionable art scene, you can admire an artwork of Claire&lt;br /&gt;
Fontaine: the neon light 'Capitalism kills love' where the word &lt;br /&gt;
'love' is supposed to blink (but the owner keeps always on,&lt;br /&gt;
interestingly ).&lt;br /&gt;
&lt;br /&gt;
&amp;#34;Each gesture and each constructive activity in which we invest &lt;br /&gt;
ourselves has a counterpart within the monetary economy or the &lt;br /&gt;
libidinal economy. The human strike decrees the bankruptcy of &lt;br /&gt;
these two principles and installs other affective and material fluxes.&lt;br /&gt;
Human strike proposes no brilliant solution to the problems &lt;br /&gt;
produced by those who govern us if it is not Bartleby&amp;#146;s maxim: &lt;br /&gt;
I would prefer not to&amp;#34;. (Claire Fontaine, 2005)&lt;br /&gt;
&lt;br /&gt;
I guess it's perfect there -- outcome of any anarcoid paradigm ;)&lt;br /&gt;
&lt;br /&gt;
Website: &lt;a href=&quot;http://www.grillroyal.com&quot;&gt;http://www.grillroyal.com&lt;/a&gt;&lt;br /&gt;
Google maps: &lt;a href=&quot;http://bit.ly/dwTxnZ&quot;&gt;http://bit.ly/dwTxnZ&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
In German: &lt;a href=&quot;http://www.welt.de/wams_print/article2375491/Avantgarde-der-Rendite.html&quot;&gt;http://www.welt.de/wams_print/article2375491/Avantgarde-der-Rendite.html&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
-- Matteo Pasquinelli&lt;br /&gt;
&lt;a href=&quot;http://matteopasquinelli.org&quot;&gt;http://matteopasquinelli.org&lt;/a&gt;&lt;/p&gt;

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  <entry>
    <title> Re: Thursday, 15 July, Invisible Man and Ready-Made Artist and Human Strike
</title>
    <link rel="alternate" href="http://thepublicschool.org/cgi-bin/dada/mail.cgi/archive/fleeing/20100715034504/"/>
    <id>tag:thepublicschool.org,2010-07-15:%2Fcgi-bin%2Fdada%2Fmail.cgi%2Farchive%2Ffleeing%2F20100715034504%2F</id>
    
    <published>2010-07-15T03:45:04Z</published>
    <updated>2010-07-15T03:45:04Z</updated>
    <content type="html">


Just noticed that a couple of paragraphs in&lt;i&gt; Ready-Made Artist and Human Strike&lt;/i&gt; are cut off in the reader. They are pasted below!&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 10.8px/normal 'Times New Roman'; &quot;&gt;The reasons why Benjamin spent so much time analyzing the processes of suspension and cessation in Brechtian theater are inextricably linked to his vision of history and the function that art can assume within it. A large part of his thought appears to be a site for the construction of a knowledge both verbal and visual, which would function as a bridge between the image and life, the fixed image and the moving image. At the center of his research appears always a change in rhythm, whether due to shock, or to other types of interruption.&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 10.8px/normal 'Times New Roman'; &quot;&gt;When, in epic theater, Brecht insists on the processes that produce a strange gaze on both the part of the public and the actors, suspension appears as the technical device employed to release that affect. In 1931 Benjamin described the procedure thus:&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 10.8px/normal 'Times New Roman'; &quot;&gt;a family scene. Suddenly a stranger enters. The women was just about to roll up a pillow and smother her daughter; the father in the middle of opening the window to call the police. At that very moment a stranger appears in the doorway. A ‘tableau’ was what one called such a scene in 1900. This means that the stranger finds himself confronted with the situation: bed sheets all rumpled, the window open, furniture turned upside down. Now a type of regard exists before which the most habitual scenes of bourgeois life do not appear to be so different. Strictly speaking, the more the ravages of our social order increase (the more we are affected ourselves, as well as our ability to even notice this), the more the distance of the stranger will be marked.&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 10.8px/normal 'Times New Roman'; &quot;&gt;The prism of the stranger in Benjamin’s thought allows us to grasp logical and political links that tend to remain hidden. One becomes strange by means of a halting, for, when the movement picks up again, it is as if the parataxic evidence of the sequence of things appears unbound, as if in that interruption an interstitial space gaped open, sapping both the instituted order and our belonging to it.&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 10.8px/normal 'Times New Roman'; &quot;&gt;In a commentary on Brecht’s poems in 1939, Benjamin writes “whoever fights for the exploited class becomes an immigrant in his own country.” Becoming stranger, a process that operates via a successive halting of thought images as well as an abandonment of the self, is manifested by an interruption and its following counter-movement.&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 10.8px/normal 'Times New Roman'; &quot;&gt;This process of salvatory defamiliarization, which allows us to gain lucidity, seems to have a close relation to art or, more precisely, to art as source and device of these newfound affects, rather than as a site of their realization. This may be explained by the status of art as a space for the de-functionalization of subjectivities: singularities emerge there emancipated from any utility. As a purely aesthetic space, the world of art harbors a potential critique of the general organization of society, and of the organization of work in particular.&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 10.8px/normal 'Times New Roman'; &quot;&gt;The process of becoming stranger as a revolutionary act appears in Benjamin’s work much earlier, in a 1920 text, which has nothing to do with art, entitled “Critique of Violence.” Here one can read that “today organized labor is, apart from the state, probably the only subject entitled to exercise violence.” But can one term strikes “violence”? Can a simple suspension of activity, “a nonaction, which a strike really is,” be categorized as a violent gesture? In all, no, Benjamin responds, since it is equivalent to a simple “severing of relations.” He adds, “in the view of the State conception, or the law, the right to strike conceded to labor is certainly a right not to exercise violence but, rather, to escape from a violence indirectly exercises by the employer, strikes conforming to this may undoubtedly occur from time to time and involve only a ‘withdrawal’ or ‘estrangement’ from the employer.”&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 10.8px/normal 'Times New Roman'; &quot;&gt;What happens in this singular moment of turning away that allows us to lose our familiarity with the misery of ordinary exploitation, suddenly rendering us capable of decreeing that for one day the boss is not the boss? It is an interruption of the normal routine, a mobilization following upon a de-mobilization. This occurs thanks to a halt that transforms us into astonished spectators, nevertheless ready to intervene. Foucault wrote that the implicit demand of any revolution is “we must change ourselves.”&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 10.8px/normal 'Times New Roman'; &quot;&gt;The revolutionary process thus becomes both the means of this change and the goal, because this transformation must generate for itself a context of possible persistence. It is in this sense that Benjamin says a genuinely radical strike would be a means without end, a space in which the entirety of hierarchical organization tied to political bureaucracy would fall apart when faced with the power of events. Parataxis would be ruined by the irruption of discontinuity.&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 10.8px/normal 'Times New Roman'; &quot;&gt;But does a means exist today for the practice of such a strike, neither union-based or corporatist, but larger and more ambitious? The question is complex, but perhaps because of our impoverished singularity we are the first citizens of history for whom the metaphysical affirmation of the human being as a being without professional or social destiny has a very concrete sense. Agamben writes; “there is definitely something humans should be, but this something is not an essence, nor is it even a thing: it is the simple fact of their own existence as possibility or power.”&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 10.8px/normal 'Times New Roman'; &quot;&gt;Some Italian feminists in the 1970s already envisioned a strike that would be an interruption of all the relations that identify us and subjugate us more than could any professional activity. They knew how to engage in a politics that wasn’t considered as politics. During struggles over the penalization of rape, the legalization of abortion, and the application of a quota policy, they simply asked the law to remain silent about their bodies. In 1976 the Bolognian collective for a&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 10.8px/normal 'Times New Roman'; &quot;&gt;domestic salary wrote, “If we strike, we won’t leave unfinished products or untransformed raw materials; by interrupting our work we won’t paralyze production, but rather the reproduction of the working class. And this would be a real strike even for those who normally go on strike without us.”&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 10.8px/normal 'Times New Roman'; &quot;&gt;This type of strike that interrupts the total mobilization to which we are all submitted and that allows us to transform ourselves, might be called a human strike, for it is the most general of general strikes and its goal is the transformation of the informal social relations on which domination is founded. The radical character of this type of revolt lies in its ignorance of any kind of reformist result with which it might have to satisfy itself. By its light, the rationality of the behaviors we adopt in our everyday life would appear to be entirely dictated by the acceptance of the economic relationships that regulate them. Each gesture and each constructive activity in which we invest ourselves has a counterpart within the monetary economy or the libidinal economy. The human strike decrees the bankruptcy of these two principles and installs other affective and material fluxes.&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 10.8px/normal 'Times New Roman'; &quot;&gt;Human strike proposes no brilliant solution to the problems produced by those who govern us if it is not Bartleby’s maxim: I would prefer not to.&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 10.8px/normal 'Times New Roman'; &quot;&gt;Paris, November 2005&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 10.8px/normal 'Times New Roman'; &quot;&gt;Translated by Olivier Feltham and Continuous Project&lt;/div&gt;&lt;div style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; font: normal normal normal 10.8px/normal 'Times New Roman'; &quot;&gt;&lt;br&gt;&lt;/div&gt;
&lt;br&gt;&lt;div&gt;&lt;div&gt;On Jul 15, 2010, at 12:38 AM, Sean Dockray wrote:&lt;/div&gt;&lt;br class=&quot;Apple-interchange-newline&quot;&gt;&lt;blockquote type=&quot;cite&quot;&gt;&lt;div style=&quot;word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; &quot;&gt;


Hello!&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;Tomorrow we were originally going to be meeting at Teufelsberg and I regret to say&amp;#160;&lt;/div&gt;&lt;div&gt;that that is not going to be happening there (several people need to return early).&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;Instead, we'll be meeting at 17h underneath the Oscar Niemeyer housing project in&amp;#160;&lt;/div&gt;&lt;div&gt;Hansaviertel, which is significantly closer for most people. The address is:&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: arial, helvetica, sans-serif; border-collapse: collapse; font-size: 18px; white-space: pre; &quot;&gt;Altonaer Straße 4-14 10557 Berlin, Germany&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;font class=&quot;Apple-style-span&quot; face=&quot;arial, helvetica, sans-serif&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;border-collapse: collapse; white-space: pre;&quot;&gt;&lt;br&gt;&lt;/span&gt;&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;font class=&quot;Apple-style-span&quot; face=&quot;arial, helvetica, sans-serif&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;border-collapse: collapse; white-space: pre;&quot;&gt;and you can see it on the google maps here:&lt;/span&gt;&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;font class=&quot;Apple-style-span&quot; face=&quot;arial, helvetica, sans-serif&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;border-collapse: collapse; white-space: pre;&quot;&gt;&lt;br&gt;&lt;/span&gt;&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;font class=&quot;Apple-style-span&quot; face=&quot;arial, helvetica, sans-serif&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;border-collapse: collapse; white-space: pre;&quot;&gt;&lt;a href=&quot;http://maps.google.de/maps?client=safari&amp;#38;rls=en-us&amp;#38;q=Altonaer+Stra%C3%9Fe+4+10557+Berlin,+Germany&amp;#38;oe=UTF-8&amp;#38;redir_esc=&amp;#38;um=1&amp;#38;ie=UTF-8&amp;#38;hq=&amp;#38;hnear=Altonaer+Stra%C3%9Fe+4,+D-10557+Berlin&amp;#38;gl=de&amp;#38;ei=Zys-TIzzI4vqOIqVrKkP&amp;#38;sa=X&amp;#38;oi=geocode_result&amp;#38;ct=image&amp;#38;resnum=1&amp;#38;ved=0CBQQ8gEwAA&quot;&gt;http://maps.google.de/maps?client=safari&amp;#38;rls=en-us&amp;#38;q=Altonaer+Straße+4+10557+Berlin,+Germany&amp;#38;oe=UTF-8&amp;#38;redir_esc=&amp;#38;um=1&amp;#38;ie=UTF-8&amp;#38;hq=&amp;#38;hnear=Altonaer+Straße+4,+D-10557+Berlin&amp;#38;gl=de&amp;#38;ei=Zys-TIzzI4vqOIqVrKkP&amp;#38;sa=X&amp;#38;oi=geocode_result&amp;#38;ct=image&amp;#38;resnum=1&amp;#38;ved=0CBQQ8gEwAA&lt;/a&gt;&lt;/span&gt;&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;font class=&quot;Apple-style-span&quot; face=&quot;arial, helvetica, sans-serif&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;border-collapse: collapse; white-space: pre;&quot;&gt;&lt;br&gt;&lt;/span&gt;&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;font class=&quot;Apple-style-span&quot; face=&quot;arial, helvetica, sans-serif&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;border-collapse: collapse; white-space: pre;&quot;&gt;We'll be discussing two texts:&lt;/span&gt;&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;font class=&quot;Apple-style-span&quot; face=&quot;arial, helvetica, sans-serif&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;border-collapse: collapse; white-space: pre;&quot;&gt;&lt;br&gt;&lt;/span&gt;&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;font class=&quot;Apple-style-span&quot; face=&quot;arial, helvetica, sans-serif&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;border-collapse: collapse; white-space: pre;&quot;&gt;Invisible Man (prologue)&lt;/span&gt;&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;font class=&quot;Apple-style-span&quot; face=&quot;arial, helvetica, sans-serif&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;border-collapse: collapse; white-space: pre;&quot;&gt;&lt;a href=&quot;http://aaaaarg.org/text/14689/invisible-man&quot;&gt;http://aaaaarg.org/text/14689/invisible-man&lt;/a&gt;&lt;/span&gt;&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;font class=&quot;Apple-style-span&quot; face=&quot;arial, helvetica, sans-serif&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;border-collapse: collapse; white-space: pre; &quot;&gt;or, &lt;a href=&quot;http://anonym.to/?http://ifile.it/i75xeqz&quot;&gt;http://anonym.to/?http://ifile.it/i75xeqz&lt;/a&gt;&lt;/span&gt;&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;font class=&quot;Apple-style-span&quot; face=&quot;arial, helvetica, sans-serif&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;border-collapse: collapse; white-space: pre;&quot;&gt;&lt;br&gt;&lt;/span&gt;&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;font class=&quot;Apple-style-span&quot; face=&quot;arial, helvetica, sans-serif&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;border-collapse: collapse; white-space: pre;&quot;&gt;Ready-Made Artist and Human Strike: A Few Clarifications&lt;/span&gt;&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;font class=&quot;Apple-style-span&quot; face=&quot;arial, helvetica, sans-serif&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;border-collapse: collapse; white-space: pre;&quot;&gt;&lt;a href=&quot;http://aaaaarg.org/?q=text/4659/ready-made-artist-and-human-strike-few-clarifications&quot;&gt;http://aaaaarg.org/?q=text/4659/ready-made-artist-and-human-strike-few-clarifications&lt;/a&gt;&lt;/span&gt;&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;font class=&quot;Apple-style-span&quot; face=&quot;arial, helvetica, sans-serif&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;border-collapse: collapse; white-space: pre;&quot;&gt;or, &lt;a href=&quot;http://anonym.to/?http://www.clairefontaine.ws/pdf/armfr.pdf&quot;&gt;http://anonym.to/?http://www.clairefontaine.ws/pdf/armfr.pdf&lt;/a&gt;&lt;/span&gt;&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;font class=&quot;Apple-style-span&quot; face=&quot;arial, helvetica, sans-serif&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;border-collapse: collapse; white-space: pre;&quot;&gt;&lt;br&gt;&lt;/span&gt;&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;font class=&quot;Apple-style-span&quot; face=&quot;arial, helvetica, sans-serif&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;border-collapse: collapse; white-space: pre;&quot;&gt;See you then&lt;/span&gt;&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;font class=&quot;Apple-style-span&quot; face=&quot;arial, helvetica, sans-serif&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;border-collapse: collapse; white-space: pre;&quot;&gt;Sean&lt;/span&gt;&lt;/font&gt;&lt;/div&gt;


&lt;/div&gt;&lt;/blockquote&gt;&lt;/div&gt;&lt;br&gt;&lt;/div&gt;



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  <entry>
    <title> Thursday, 15 July, Invisible Man and Ready-Made Artist and Human Strike
</title>
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    <id>tag:thepublicschool.org,2010-07-14:%2Fcgi-bin%2Fdada%2Fmail.cgi%2Farchive%2Ffleeing%2F20100714164004%2F</id>
    
    <published>2010-07-14T16:40:04Z</published>
    <updated>2010-07-14T16:40:04Z</updated>
    <content type="html">


Hello!&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;Tomorrow we were originally going to be meeting at Teufelsberg and I regret to say&amp;#160;&lt;/div&gt;&lt;div&gt;that that is not going to be happening there (several people need to return early).&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;Instead, we'll be meeting at 17h underneath the Oscar Niemeyer housing project in&amp;#160;&lt;/div&gt;&lt;div&gt;Hansaviertel, which is significantly closer for most people. The address is:&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: arial, helvetica, sans-serif; border-collapse: collapse; font-size: 18px; white-space: pre; &quot;&gt;Altonaer Straße 4-14 10557 Berlin, Germany&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;font class=&quot;Apple-style-span&quot; face=&quot;arial, helvetica, sans-serif&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;border-collapse: collapse; white-space: pre;&quot;&gt;&lt;br&gt;&lt;/span&gt;&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;font class=&quot;Apple-style-span&quot; face=&quot;arial, helvetica, sans-serif&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;border-collapse: collapse; white-space: pre;&quot;&gt;and you can see it on the google maps here:&lt;/span&gt;&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;font class=&quot;Apple-style-span&quot; face=&quot;arial, helvetica, sans-serif&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;border-collapse: collapse; white-space: pre;&quot;&gt;&lt;br&gt;&lt;/span&gt;&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;font class=&quot;Apple-style-span&quot; face=&quot;arial, helvetica, sans-serif&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;border-collapse: collapse; white-space: pre;&quot;&gt;&lt;a href=&quot;http://maps.google.de/maps?client=safari&amp;#38;rls=en-us&amp;#38;q=Altonaer+Straße+4+10557+Berlin,+Germany&amp;#38;oe=UTF-8&amp;#38;redir_esc=&amp;#38;um=1&amp;#38;ie=UTF-8&amp;#38;hq=&amp;#38;hnear=Altonaer+Straße+4,+D-10557+Berlin&amp;#38;gl=de&amp;#38;ei=Zys-TIzzI4vqOIqVrKkP&amp;#38;sa=X&amp;#38;oi=geocode_result&amp;#38;ct=image&amp;#38;resnum=1&amp;#38;ved=0CBQQ8gEwAA&quot;&gt;http://maps.google.de/maps?client=safari&amp;#38;rls=en-us&amp;#38;q=Altonaer+Straße+4+10557+Berlin,+Germany&amp;#38;oe=UTF-8&amp;#38;redir_esc=&amp;#38;um=1&amp;#38;ie=UTF-8&amp;#38;hq=&amp;#38;hnear=Altonaer+Straße+4,+D-10557+Berlin&amp;#38;gl=de&amp;#38;ei=Zys-TIzzI4vqOIqVrKkP&amp;#38;sa=X&amp;#38;oi=geocode_result&amp;#38;ct=image&amp;#38;resnum=1&amp;#38;ved=0CBQQ8gEwAA&lt;/a&gt;&lt;/span&gt;&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;font class=&quot;Apple-style-span&quot; face=&quot;arial, helvetica, sans-serif&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;border-collapse: collapse; white-space: pre;&quot;&gt;&lt;br&gt;&lt;/span&gt;&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;font class=&quot;Apple-style-span&quot; face=&quot;arial, helvetica, sans-serif&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;border-collapse: collapse; white-space: pre;&quot;&gt;We'll be discussing two texts:&lt;/span&gt;&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;font class=&quot;Apple-style-span&quot; face=&quot;arial, helvetica, sans-serif&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;border-collapse: collapse; white-space: pre;&quot;&gt;&lt;br&gt;&lt;/span&gt;&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;font class=&quot;Apple-style-span&quot; face=&quot;arial, helvetica, sans-serif&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;border-collapse: collapse; white-space: pre;&quot;&gt;Invisible Man (prologue)&lt;/span&gt;&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;font class=&quot;Apple-style-span&quot; face=&quot;arial, helvetica, sans-serif&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;border-collapse: collapse; white-space: pre;&quot;&gt;&lt;a href=&quot;http://aaaaarg.org/text/14689/invisible-man&quot;&gt;http://aaaaarg.org/text/14689/invisible-man&lt;/a&gt;&lt;/span&gt;&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;font class=&quot;Apple-style-span&quot; face=&quot;arial, helvetica, sans-serif&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;border-collapse: collapse; white-space: pre; &quot;&gt;or, &lt;a href=&quot;http://anonym.to/?http://ifile.it/i75xeqz&quot;&gt;http://anonym.to/?http://ifile.it/i75xeqz&lt;/a&gt;&lt;/span&gt;&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;font class=&quot;Apple-style-span&quot; face=&quot;arial, helvetica, sans-serif&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;border-collapse: collapse; white-space: pre;&quot;&gt;&lt;br&gt;&lt;/span&gt;&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;font class=&quot;Apple-style-span&quot; face=&quot;arial, helvetica, sans-serif&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;border-collapse: collapse; white-space: pre;&quot;&gt;Ready-Made Artist and Human Strike: A Few Clarifications&lt;/span&gt;&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;font class=&quot;Apple-style-span&quot; face=&quot;arial, helvetica, sans-serif&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;border-collapse: collapse; white-space: pre;&quot;&gt;&lt;a href=&quot;http://aaaaarg.org/?q=text/4659/ready-made-artist-and-human-strike-few-clarifications&quot;&gt;http://aaaaarg.org/?q=text/4659/ready-made-artist-and-human-strike-few-clarifications&lt;/a&gt;&lt;/span&gt;&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;font class=&quot;Apple-style-span&quot; face=&quot;arial, helvetica, sans-serif&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;border-collapse: collapse; white-space: pre;&quot;&gt;or, &lt;a href=&quot;http://anonym.to/?http://www.clairefontaine.ws/pdf/armfr.pdf&quot;&gt;http://anonym.to/?http://www.clairefontaine.ws/pdf/armfr.pdf&lt;/a&gt;&lt;/span&gt;&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;font class=&quot;Apple-style-span&quot; face=&quot;arial, helvetica, sans-serif&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;border-collapse: collapse; white-space: pre;&quot;&gt;&lt;br&gt;&lt;/span&gt;&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;font class=&quot;Apple-style-span&quot; face=&quot;arial, helvetica, sans-serif&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;border-collapse: collapse; white-space: pre;&quot;&gt;See you then&lt;/span&gt;&lt;/font&gt;&lt;/div&gt;&lt;div&gt;&lt;font class=&quot;Apple-style-span&quot; face=&quot;arial, helvetica, sans-serif&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;border-collapse: collapse; white-space: pre;&quot;&gt;Sean&lt;/span&gt;&lt;/font&gt;&lt;/div&gt;



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  <entry>
    <title> 14 July: Massacre of the Body, Affectivist Manifesto, City in Female Gender
</title>
    <link rel="alternate" href="http://thepublicschool.org/cgi-bin/dada/mail.cgi/archive/fleeing/20100713172003/"/>
    <id>tag:thepublicschool.org,2010-07-13:%2Fcgi-bin%2Fdada%2Fmail.cgi%2Farchive%2Ffleeing%2F20100713172003%2F</id>
    
    <published>2010-07-13T17:20:03Z</published>
    <updated>2010-07-13T17:20:03Z</updated>
    <content type="html">


&lt;div&gt;We will be meeting at the Schlachtensee S-Bahn stop tomorrow at 17h. If you are running late, we will be walking directly north towards the lake.&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;a href=&quot;http://maps.google.com/maps/ms?ie=UTF8&amp;#38;hl=en&amp;#38;msa=0&amp;#38;msid=111162172991000092690.0004882558b261f0fd61d&amp;#38;ll=52.494696,13.29895&amp;#38;spn=0.134822,0.318604&amp;#38;t=h&amp;#38;z=12&amp;#38;iwloc=00048b3100c2074ce4803&quot;&gt;http://maps.google.com/maps/ms?ie=UTF8&amp;#38;hl=en&amp;#38;msa=0&amp;#38;msid=111162172991000092690.0004882558b261f0fd61d&amp;#38;ll=52.494696,13.29895&amp;#38;spn=0.134822,0.318604&amp;#38;t=h&amp;#38;z=12&amp;#38;iwloc=00048b3100c2074ce4803&lt;/a&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;Will we be reading:&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;TO HAVE DONE WITH THE MASSACRE OF THE BODY&amp;#160;&lt;/div&gt;&lt;div&gt;FELIX GUATTARI&lt;/div&gt;&lt;div&gt;http://aaaaarg.org/?q=node/14609&lt;/div&gt;&lt;div&gt;or&amp;#160;&lt;a href=&quot;http://anonym.to/?http://ifile.it/syditfo&quot;&gt;http://ifile.it/syditfo&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;THE AFFECTIVIST MANIFESTO: ARTISTIC CRITIQUE FOR THE 21ST CENTURY&amp;#160;&lt;/div&gt;&lt;div&gt;BRIAN HOLMES&lt;/div&gt;&lt;div&gt;http://brianholmes.wordpress.com/2008/11/16/the-affectivist-manifesto/&lt;/div&gt;&lt;div&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;THE CITY IN THE FEMALE GENDER&lt;/div&gt;&lt;div&gt;LIA MAGALE&lt;/div&gt;&lt;div&gt;http://aaaaarg.org/?q=text/3988/semiotext-autonomia-issue&lt;/div&gt;&lt;div&gt;or&amp;#160;&lt;a href=&quot;http://anonym.to/?http://www.mediafire.com/?zqzdjwygzyn&quot;&gt;http://www.mediafire.com/?zqzdjwygzyn&lt;/a&gt;&lt;/div&gt;
&lt;br&gt;&lt;/div&gt;



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  <entry>
    <title> some material
</title>
    <link rel="alternate" href="http://thepublicschool.org/cgi-bin/dada/mail.cgi/archive/fleeing/20100713152002/"/>
    <id>tag:thepublicschool.org,2010-07-13:%2Fcgi-bin%2Fdada%2Fmail.cgi%2Farchive%2Ffleeing%2F20100713152002%2F</id>
    
    <published>2010-07-13T15:20:02Z</published>
    <updated>2010-07-13T15:20:02Z</updated>
    <content type="html"> 



hey all,&lt;div&gt;apologies for usurping the disscussion with technical details earlier,&lt;/div&gt;&lt;div&gt;here are some sources for those interested in immaterial labor and law of value polemics and some related matters (out of top of my head, i can send more if someone is interested when i get home and can asses my bookmarks)&lt;/div&gt;
&lt;div&gt;&lt;a href=&quot;http://auto_sol.tao.ca/node/3074&quot;&gt;http://auto_sol.tao.ca/node/3074&lt;/a&gt; &lt;/div&gt;&lt;div&gt;&lt;a href=&quot;http://libcom.org/library/throwing-away-ladder-universities-crisis-george-caffentzis-zerowork&quot;&gt;http://libcom.org/library/throwing-away-ladder-universities-crisis-george-caffentzis-zerowork&lt;/a&gt;&lt;/div&gt;
&lt;div&gt;&lt;a href=&quot;http://www.public.iastate.edu/~tonys/10%20The%20General%20Intellect.pdf&quot;&gt;http://www.public.iastate.edu/~tonys/10%20The%20General%20Intellect.pdf&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href=&quot;http://www.ephemeraweb.org/journal/7-1/7-1henninger.pdf&quot;&gt;http://www.ephemeraweb.org/journal/7-1/7-1henninger.pdf&lt;/a&gt;&lt;/div&gt;
&lt;div&gt;&lt;a href=&quot;http://www.reallyopenunion.org/reallyopenunion_files/cognitivecapitalism.pdf&quot;&gt;http://www.reallyopenunion.org/reallyopenunion_files/cognitivecapitalism.pdf&lt;/a&gt;&lt;/div&gt;&lt;div&gt;best,&lt;/div&gt;&lt;div&gt;p.&lt;/div&gt;





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  <entry>
    <title> 11 July ROUSSEAU-INSEL IN THE TIERGARTEN 17H
</title>
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    <published>2010-07-11T16:15:04Z</published>
    <updated>2010-07-11T16:15:04Z</updated>
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&lt;div&gt;&lt;font class=&quot;Apple-style-span&quot; face=&quot;'Helvetica Neue'&quot;&gt;We will be meeting tomorrow at 17h in Tiergarten in front of the&amp;#160;&lt;/font&gt;&lt;span jstcache=&quot;51&quot; jsdisplay=&quot;i.title&quot;&gt;&lt;span jstcache=&quot;67&quot; jsdisplay=&quot;!features.embed&quot;&gt;&lt;span dir=&quot;ltr&quot; jstcache=&quot;83&quot; jsdisplay=&quot;!i.linkback||(i.lba&amp;#38;&amp;#38;i.lba.cr8Line1)&quot; jsvalues=&quot;innerHTML:i.title;dir:bidiDir(i.title,true)&quot;&gt;&lt;span jstcache=&quot;0&quot;&gt;&lt;font class=&quot;Apple-style-span&quot; face=&quot;'Helvetica Neue'&quot;&gt;Naturschutz&amp;#160;&lt;/font&gt;&lt;/span&gt;&lt;span jstcache=&quot;0&quot;&gt;&lt;font class=&quot;Apple-style-span&quot; face=&quot;'Helvetica Neue'&quot;&gt;GrÃ¼nflÃ¤chenamt&lt;/font&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span jstcache=&quot;0&quot; class=&quot;nw&quot;&gt;&lt;font class=&quot;Apple-style-span&quot; face=&quot;'Helvetica Neue'&quot;&gt;&lt;img src=&quot;http://maps.gstatic.com/intl/en_ALL/mapfiles/transparent.png&quot; class=&quot;unstarred noprint&quot; jstcache=&quot;70&quot; id=&quot;iwstar&quot; jsdisplay=&quot;features.si &amp;#38;&amp;#38; m.b_s &amp;#60; 5&quot; jsvalues=&quot;className:(i.is_s ? 'starred noprint' : 'unstarred 
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  <entry>
    <title> Re: sunday
</title>
    <link rel="alternate" href="http://thepublicschool.org/cgi-bin/dada/mail.cgi/archive/fleeing/20100710163503/"/>
    <id>tag:thepublicschool.org,2010-07-10:%2Fcgi-bin%2Fdada%2Fmail.cgi%2Farchive%2Ffleeing%2F20100710163503%2F</id>
    
    <published>2010-07-10T16:35:03Z</published>
    <updated>2010-07-10T16:35:03Z</updated>
    <content type="html">&lt;p&gt;&lt;br /&gt;
yes! we are trying to avoid the excessive heat of the afternoon (and also find a good spot in the shade that we can occupy). &lt;br /&gt;
&lt;br /&gt;
hope to see you there!&lt;br /&gt;
&lt;br /&gt;
-c&lt;br /&gt;
&lt;br /&gt;
On Jul 11, 2010, at 12:20 AM, Matteo Pasquinelli wrote:&lt;br /&gt;
&lt;br /&gt;
&lt;span class=&quot;quoted_reply&quot;&gt;&amp;#62; &lt;br /&gt;&lt;/span&gt;
&lt;span class=&quot;quoted_reply&quot;&gt;&amp;#62; (Mailing list information, including unsubscription instructions, &lt;br /&gt;&lt;/span&gt;
&lt;span class=&quot;quoted_reply&quot;&gt;&amp;#62; is located at the end of this message.) &lt;br /&gt;&lt;/span&gt;
&lt;span class=&quot;quoted_reply&quot;&gt;&amp;#62; To send a message to everyone on this list, send to &lt;a href=&quot;mailto:&amp;#102;&amp;#x6C;&amp;#101;&amp;#101;&amp;#105;&amp;#x6E;&amp;#103;&amp;#64;&amp;#x74;&amp;#104;&amp;#x65;&amp;#x70;&amp;#117;&amp;#98;&amp;#108;&amp;#105;&amp;#99;&amp;#x73;&amp;#99;&amp;#x68;&amp;#x6F;&amp;#111;&amp;#108;&amp;#x2E;&amp;#x6F;&amp;#114;&amp;#x67;&quot;&gt;&amp;#102;&amp;#x6C;&amp;#101;&amp;#101;&amp;#105;&amp;#x6E;&amp;#103;&amp;#64;&amp;#x74;&amp;#104;&amp;#x65;&amp;#x70;&amp;#117;&amp;#98;&amp;#108;&amp;#105;&amp;#99;&amp;#x73;&amp;#99;&amp;#x68;&amp;#x6F;&amp;#111;&amp;#108;&amp;#x2E;&amp;#x6F;&amp;#114;&amp;#x67;&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span class=&quot;quoted_reply&quot;&gt;&amp;#62; __ &lt;br /&gt;&lt;/span&gt;
&lt;span class=&quot;quoted_reply&quot;&gt;&amp;#62; &lt;br /&gt;&lt;/span&gt;
&lt;span class=&quot;quoted_reply&quot;&gt;&amp;#62; &lt;br /&gt;&lt;/span&gt;
&lt;span class=&quot;quoted_reply&quot;&gt;&amp;#62; dear friends, &lt;br /&gt;&lt;/span&gt;
&lt;span class=&quot;quoted_reply&quot;&gt;&amp;#62; i noticed you change the time of sunday at 11h, is that confirmed?&lt;br /&gt;&lt;/span&gt;
&lt;span class=&quot;quoted_reply&quot;&gt;&amp;#62; &lt;br /&gt;&lt;/span&gt;
&lt;span class=&quot;quoted_reply&quot;&gt;&amp;#62; we try to join,&lt;br /&gt;&lt;/span&gt;
&lt;span class=&quot;quoted_reply&quot;&gt;&amp;#62; matteo&lt;br /&gt;&lt;/span&gt;
&lt;span class=&quot;quoted_reply&quot;&gt;&amp;#62; &lt;br /&gt;&lt;/span&gt;
&lt;span class=&quot;quoted_reply&quot;&gt;&amp;#62; &lt;br /&gt;&lt;/span&gt;
&lt;span class=&quot;quoted_reply&quot;&gt;&amp;#62; &lt;br /&gt;&lt;/span&gt;
&lt;span class=&quot;quoted_reply&quot;&gt;&amp;#62; &lt;br /&gt;&lt;/span&gt;
&lt;span class=&quot;quoted_reply&quot;&gt;&amp;#62; -- &lt;br /&gt;&lt;/span&gt;
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  <entry>
    <title> sunday
</title>
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    <id>tag:thepublicschool.org,2010-07-10:%2Fcgi-bin%2Fdada%2Fmail.cgi%2Farchive%2Ffleeing%2F20100710162503%2F</id>
    
    <published>2010-07-10T16:25:03Z</published>
    <updated>2010-07-10T16:25:03Z</updated>
    <content type="html">&lt;p&gt;&lt;br /&gt;
&lt;br /&gt;
dear friends, &lt;br /&gt;
i noticed you change the time of sunday at 11h, is that confirmed?&lt;br /&gt;
&lt;br /&gt;
we try to join,&lt;br /&gt;
matteo&lt;/p&gt;

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  <entry>
    <title> Note on 2 important questions raised in the discussion so far
</title>
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    <id>tag:thepublicschool.org,2010-07-09:%2Fcgi-bin%2Fdada%2Fmail.cgi%2Farchive%2Ffleeing%2F20100709162003%2F</id>
    
    <published>2010-07-09T16:20:03Z</published>
    <updated>2010-07-09T16:20:03Z</updated>
    <content type="html"> 



&lt;br clear=&quot;all&quot;&gt;Hi Everyone,&lt;br&gt;&lt;br&gt;on Thursday there were two interesting questions brought up at the end of our discussion, which I want to keep hold of, because I think they can somehow be enlightening and because the discussion today already moved on to other important, but different perspectives. &lt;br&gt;
&lt;br&gt;The first question I mean was: &lt;br&gt;What is a form-of-life regarding (its) reality? (I mean &amp;#34;form-of-life&amp;#34; in a descriptive everyday-sense, and not in the 
strong agamben sense)&lt;br&gt;  &lt;br&gt;- What I think can be helpful here is to ask, whether we should see the question of &amp;#34;forms-of-life&amp;#34; as a critical perspective on reality itself. Because what is kind of interesting is to realize the fact, that &amp;#34;form-of-life&amp;#34; is a totally marginalized term in the public and academic discussion on crisis diagnosis and solution right now. And in my opinion the reason for this is precisely, because asking the question of &amp;#34;what form of life do we live in today?&amp;#34; or &amp;#34;what form of life do we share?&amp;#34; can be a very enlightening question, that is somehow avoided by the main discourses of crisis diagnosis right now. Therefore to raise this question has an enormous critical impact. So my answer to this in short is: &amp;#34;form-of-life&amp;#34; is a (critical) perspective on reality.&lt;br&gt;
&lt;br&gt;The second question I mean referred to the life-in-limbo text, namely to the following passage:&lt;br&gt;&lt;br&gt;These two perspectives on the same crisis obviously call forth two 
different ‘logical’ responses. While the reaction of zombie-liberalism 
makes sense according to its own (undead) logic, the logical response to
 the crisis of social reproduction is perhaps a strategy of &lt;em&gt;commoning&lt;/em&gt;.
 This would be a defence, creation and expansion of resources held in 
common and accessible to all: expanding public transport, socialising 
health care, guaranteeing a basic income, and so on. This type of 
strategy would achieve two linked and essential goals. First, it would 
address our immediate fears of losing our livelihoods – because it would
 create spaces where social reproduction becomes possible outside the 
crisis-ridden circuits of capital. Second, it would counter the 
atomisation caused by three decades of neoliberal subjectivation in 
markets – just as engaging in market-based interactions tends to create 
market-subjects, engaging in commoning tends to create ‘commonistic’ 
subjectivities.&lt;br&gt;&lt;br&gt;- I think what is very important in this passage, and what we haven&amp;#39;t discussed so much by now, is the question of the &amp;#34;how&amp;#34; of a different and better, maybe more social kind of state or let&amp;#39;s better say: governing. In my view this passage is clearly a call for a different, not-neoliberal and better kind of governmentality and this is a question that should be discussed very urgently for the state will change, and the question is how and how to influence this process of change. &lt;br&gt;
&lt;br&gt;I just wanted to make a note on this and share it with you, so that maybe we can discuss this stuff during the next week.&lt;br&gt;&lt;br&gt;Best &lt;br&gt;Dirk&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;   &lt;br&gt;-- &lt;br&gt;Dirk Schuck&lt;br&gt;Kirchhofstr. 13&lt;br&gt;12051 Berlin&lt;br&gt;
0049-(0)30/25589913&lt;br&gt;&lt;br&gt;





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